Sportschuhe

Produktbeschreibung

Roman
Erscheinungsjahr: 2010
ab 14 J.
Übersetzung: Schäfer, Beate
Gewicht: 606 gr / Abmessungen: 210 mm x 135 mm x 37 mm
Von Brown, Jennifer / Übersetzt v. Schäfer, Beate

Valerie ist sechzehn, als ihre Welt zusammenbricht. In der Schul-Cafeteria eröffnet ihr Freund Nick das Feuer auf seine Mitschüler. Er tötet sechs Menschen und verletzt zahllose andere. Valerie selbst wirft sich vor eine Schülerin und wird dabei schwer getroffen. Doch hinterher wird sie keinesfalls als Heldin betrachtet, sondern als Mit-Täterin. Gemeinsam mit Nick hatte sie die Hassliste geführt, auf der die Namen aller Opfer standen. Für Valerie war es ein Spiel gewesen, ein Ritual, das sie mit Nick verband. Ohne zu merken, dass es für ihn offenbar viel mehr war ...

Pressestimmen:
"Ein trauriges und doch auch hoffnungsvolles Buch, meisterhaft und sehr einfühlsam erzählt."
Zürcher Unterländer 16.07.2010

Amazon.com

Fifty years after D Day, a group of American veterans has returned to the small Devonshire town of Bereton where, in 1944, they prepared for Normandy, amazed the local children with gifts of candy and comics, and courted the local maidens. When one of the old soldiers, Norman Openheim, is found stabbed to death in the ruins of the same chapel where the GIs and the village girls once held their wartime trysts, Detective Sergeant Wesley Peterson finds his investigative attention torn between the past and the present. There is no shortage of suspects. Dorinda, Openheim's widow, is acting anything but bereaved in the company of tall, handsome Todd Weringer; a trio of post-adolescent urban urchins (Dog, Rat, and Snot) has been harassing the local merchants at knifepoint; and Norman's romance of 50 years ago produced a son with a criminal record and, just maybe, a lifetime of resentment built up against the father he never knew. More intriguing to Peterson and archaeologist Neil Watson are the parallels that exist between this murder and the murder of a sailor from the Spanish Armada in 1588. Hatred, jealousy, and revenge have cast 400-year-old shadows, and Peterson must untangle a skein of accusations, resentments, and family alliances that stretch back through the centuries.

Kate Ellis's The Merchant's House, with its blend of history and detection, moved beyond the familiar territory of the British cozy. Unfortunately, The Armada Boy falls well short: dull characters and no sense of plot cripple it from the start. One can't help but feel cheated when the solution to the murder is, literally, handed to the detectives (in the form of an ancient letter), breaking all the rules of mystery fiction. But Ellis's prose style is engagingly straightforward and sometimes lively, with an occasional dose of gentle humor. Her dialogue, though, leaves much to be desired. For the most part, her Devonshire locals sound like an unholy hybrid of BBC announcer and London beggar. Even more jarring are her Americans, who might have been plucked straight from an Agatha Christie novel: they "guess," they "reckon," and they greet novelties with: "Say, that's a mighty fine idea!" Perhaps in her next outing, Ellis's contemporary characters will receive the same attention to detail as their historical counterparts. --Kelly Flynn